We're in the season of the blockbuster films--mostly long on action, short on character. There are exceptions, of course, including one I saw recently and recommend: "Gone, Baby, Gone." Yes, the structure is a bit clunky in the middle, but it's a fascinating look at a difficult situation and leaves you wondering and discussing how you would have handled the dilemma faced at the end by the protagonist.
It reminded me how much I like films with complex characters. Novelist and playwright Michael Frayn made this observation in an article in The Guardian recently:
"And I think it's a good thing
if drama reflects that, if you actually see people struggling to deal with the
world and each other. If you look back over drama
historically, there's a much wider range of subjects. If you look at Shakespeare,
for instance, or Greek drama - it's about people with big plans for world
conquest, or conspiracies, or defiance of the gods, or vengeance or whatever -
there's quite a wide range of undertakings and emotions that get represented."